Blue

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Blue Miller's astrological sign is Cancer. Cancer's are homebodies. He is the exact opposite, and that opposite is as apparent as the difference between his singing and speaking voice. Find him out on the road.find him in the studio.but home? That's where he sleeps.sometimes. He's a down to earth "good guy", a little bit shy, yes.and a gentle soul. It's hard to believe that throaty, raspy almost hurtful sound is him and harder to believe after you see him perform that the soft spoken person is one and the same. His singing and playing rip from his insides to show and tell the world, "this is what I am, this is who I am." Blue's dad gave him a guitar at age six and he listened to pop radio, Motown records, and old time Rock in Roll, putting in hours of playing every day, trying to mimic what he'd heard, while his friends taunted him with baseball, football, basketball and later cruising for babes. While his buds were "scoring," he scored music as he studied music theory, ear training and classical guitar at Wayne State. The Detroit music scene was happening. Detroit was home, and while he was definitely influenced, he soon developed a style all his own.black and white and every shade of blue. A band fronted by Blue had to be and was. went through some name and member changes, and eventually became known as Julia. Julia caught the ears of Ann Marston, (remember her?. retired world archery champion). She became their manager and with her influence, she led them to three single releases with chart success. Any Michiganders who remember "Mystic Cloud/Someone like You", "You want me to Leave You/You for Me"? How about "M'Lady" on Palladium Records? (Bob Segers first record label.) How many of you went to see Lovin Spoonfull, Rod Stewart and the Small Faces, Bad Finger, Fleetwood Mac, Humble Pie and David Bowie, to name a few, and saw Julia as the opening act? Punch Andrews, Bob Seger's manager, signed Julia to a management / recording deal (not too shabby for a first band) and, when they were asked to tour and record with Blue's hero, his parents, Shirley and Bill had to sign a permission slip. Blue was still in school. Look for him on "Lookin Back"-- single release on Capital Records, "Back in 72" and "Bob Seger Seven"-- L.P's on Palladium Reprise Records. But don't expect to find the name Blue Miller there. Look instead for Bill Mueller. It was shortly after this, that the name Blue Miller was penned for the first time. Blue had rave reviews from England's "Melody Maker" magazine touting his fabulous guitar work on Segers albums, but he was also a singer and writer, and he ached for the spotlight to showcase his own music. He left the folds of his hero. Julia disbanded, scattered, and Blue went on his solo way. He soon was signed by Don Davis of Tortoise-R.C.A. Records. Don had visions of becoming the next Detroit music mogul, but the label folded before Blue's "Wishbook" L.P. was released. "Looking back," Blue says, " I guess it was for the best.that album wasn't really me. It was more what Don Davis thought was me." While working on that project though, he'd met Albert King and worked with him on his L.P. "King Albert". Albert King cut Blue's "Bootlace" and it was released on Tomatoe Records. He also had songs recorded by Gladys Knight and David Ruffin. We were seeing more of the "Blues" shade of Blue in this period of his life. And. there was yet another outlet for his Blues. In the advertising business. Remember that catchy little number he did called "The News Done Give Me The Blues" for the Detroit Free Press? Fans requested it when he was a solo opening act for Toto, Tom Waits, Leo Sayer, Cheech and Chong, Meatloaf etc. Etc. etc., at the marvelous old Royal Oak Theater. Blue remembers always being scared silly that he'd be booed off stage. He was just this skinny young kid with long hair and his guitar, but his unique voice caught their attention and held them. It's been said that he sounds like Bob Seger, Brian Adams, Joe Cocker and Rod Stewart all rolled into one. Before Don Was was, he walked up to Blue and said, "Let me produce you." Fear of the unknown accomplished nothing. Blue was also writing, performing, and producing music scores for ABC-TV and already had many ADDY awards under his belt. Soon he was rewarded with three Emmy nominations for best original music, (including "I am Somebody"-- theme song for a Jesse Jackson special) and walked off amidst shouts and cheers with an Emmy in his hand. Who'd have thunk it? This was great fun, but, as all you road dogs know, you don't leave it for long. The road beckoned. He answered the call and put another band together. What would he call them? The Bill Mueller Band? Yes that would do for now. Inroads had been made as Bill Mueller. An L.P. titled "No Place Like Home" (what?.an oxymoron) followed, and acting upon the advice of a trusted friend, Punch Andrews, he packed up lock, stock and guitars and moved to Central Florida to run the Southeast Coast to promote the album. It was here that a friend said, "Why don't you flip flop the i-l-l in Bill and the u-e in Mueller and be Blue Miller? Yeah man, that's cool, too cool!" and so, Blue Miller was born. Funny thing happened though, on the way to running the Southeast coast to promote the album .seems "No Place Like Home" was more than just an L.P. title. It was a sentiment that his band members held near and dear. Supposedly right on his heels, they couldn't quite get up enough nerve to leave Detroit, hearth and home. Blue bought a house, large enough to house his band and waited. By the time they'd followed, he was on to other musical endeavors. He was in Macon Georgia at Capricorn Studios, where he was producing master tracks on himself, when he met Chuck Leavell and was so impressed with his keyboard work his guitars were moved over in homage. He later was the lead voçalist on a Sea Level release for Arista Records called "Make You Feel Love Again". (Guess Chuck liked him too) Pete Solly produced this cut and Blue will tell you that "he'd never been so beaten up in his life. and he loved it." The guitar laden "No Place Like Home" which had taken him from Detroit to the deep South, was laid aside. The piano laden Macon project was laid aside. A big shot producer from Europe had heard his voice and tracked him down. "I'm gonna make you a star, boy." Jack White was riding high with a number one international hit . Gloria . by Laura Branigan. Tracks were recorded in Atlanta, and tracks were brought in from Europe and L.A. A single was released in Europe on Ariola Records that reeked of disco. was this a shade of Blue?. Blue thought about the most important piece of advice he'd ever received. It was from another of his heroes, Eric Clapton . in a conversation one night at the Ritz in Atlanta after a show. Eric said, "the best advice I can give you is, if you're gonna do it, do it honest, and do it the best you can, or don't do it." Jack and Blue parted ways, an amicable split, destined to happen. Blue was Rock n Roll soul, and Jack was pop oriented and disco. Oil and water in some peoples minds. But during this time Blue remembers Jack asking him if he knew who Englebert Humperdink was. Seems he'd played "What Are You Waiting For" for him and Englebert loved it, wanted to cut it. It landed on a platinum L.P. "Dreaming With Englebert" on Ariola Records in Europe. "What Are You Waiting For" is a song that Blue considers his own signature song. Watch him sing this, hear his heart break, and then look around and try to find a dry eye in the house. Speaking of Europe, Blue sang background on their "Final Countdown" L.P. including their number one hit "Carrie". Peabo Bryson and Issac Hayes also called on Blue for session work. And Blue produced tracks on Kelita, a Canadian artist, and Sammy Johns down in Atlanta. Blues performance of his song "Rock on Through the Night" wa.