Migration, Transmission, Localisation: Visual Art in Singapore (1866–1945)

Drawing mainly on advertisements and comics in Chinese newspapers, this book proposes a reconsideration of the seminal 1952 Bali Trip as the genesis of Nanyang style
Drawing mainly on advertisements and comics in Chinese newspapers, Singaporean scholar and educator Yeo Mang Thong demonstrates how Singapore was an important hub for artists who travelled to and lived in Singapore. Yeo’s research features amongst other things essays on sojourning artists, and fills a gap in scholarship on the pre-war visual arts scene in Singapore. Originally in Chinese, this English translation aims to bring his research to a broader audience.

Pages: 230

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