Singular Plural Ways of Staging Together

Perspectives on Contemporary Dance, Art Performance and Visual Art

An interdisciplinary study on experimental rehearsal processes in contemporary dance performance looking beyond the aura of genius surrounding single-authorship.

Focusing on staging processes in contemporary dance and art performance creates new opportunities to study creative participation and co-authorship. To gain these new insights, Iris Julian analyses experimental projects initiated by two groups and a single choreographer: Collect-if by Collect-if, Deufert + Plischke and Xavier Le Roy. By exploring nuances of staging work, the concept of singular plural became the analytical guideline and resulted into three research perspectives: theatre studies, sociology and ontological reading (Jean-Luc Nancy, Michaela Ott, Gerald Raunig). This approach makes it possible to look beyond the importance that is often credited to single authorship in the arts.

With a foreword by Prof. Dr. Gerald Siegmund.

Contributor: Gerald Siegmund (Preface by)

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