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Music at German Courts, 1715-1760

Samantha Owens

Changing Artistic Priorities

Barcode 9781843835981
Hardback

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Release Date: 17/03/2011

Genre: Music Dance & Theatre
Label: The Boydell Press
Contributors: Samantha Owens (Edited by), Barbara Reul (Edited by), Janice Stockigt (Edited by), Alina Zorawska-Witkowska (Contributions by), Barbara Reul (Contributions by), Bärbel Pelker (Contributions by), Bert Siegmund (Contributions by), Dieter Kirsch (Contributions by), Janice Stockigt (Contributions by), Mary Oleskiewicz (Contributions by), Michael Maul (Contributions by), Rashid-S Pegah (Contributions by), Rüdiger Thomsen-Fürst (Contributions by), Ursula Kramer (Contributions by), Wolfgang Ruf (Contributions by)
Language: English
Publisher: Boydell & Brewer Ltd

Changing Artistic Priorities
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN