Dreamscapes in Italian Cinema

This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.
Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.

Contributor: Francesco Pascuzzi (Edited by), Bryan Cracchiolo (Edited by), Axel Andersson (Contributions by), Eleanor Andrews (Contributions by), Linda Belau (Contributions by), Maria Letizia Bellocchio (Contributions by), Fernando Gabriel Pagnoni Berns (Contributions by), Anthony Cristiano (Contributions by), Amy M. Davis (Contributions by), Alessandro de Stefanis (Contributions by), Maurizia Natali (Contributions by), Avishek Parui (Contributions by), Sandra Waters (Contributions by), Francesco Rabissi (Contributions by)

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