The Machinic City

Media, Performance and Participation
The machinic city reveals the potential of performance art to create spaces for reflection and deliberation on contemporary urban living and to speculate on the future of cities. It analyses several case studies of performance art that foreground new modes of subjectivity emerging from hybrids of human and machine agency.

As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses interventions from performance artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life, and speculation on its future.

While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components — design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city.

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