Hari Kunzru

This is the first edited collection on Hari Kunzru. With new individual essays on each of Kunzru’s novels as well as his short fiction and creative non-fiction, the book situates his writing within current debates on contemporary literature, and in relation to key historical events such as Brexit, the election of Trump, and the Covid-19 pandemic.
This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels – The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill – as well as his short fiction and non-fiction writings. The collection situates Kunzru’s work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzru’s work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.

Contributor: Kristian Shaw (Edited by), Sara Upstone (Edited by)

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