Rancière and Music

This collection explores Rancière’s thought along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music, and sets him in dialogue with key thinkers including Adorno, Althusser, Badiou and Deleuze.
The place of music in Ranciere's thought has long been underestimated or unrecognised. Ranciere and Music responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields including an original Afterword by Ranciere on the role of music in his thought and writing.Contributions engage closely with Ranciere's existing commentary on music, its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound, and listening.Ranciere's thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Ranciere's work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.

Contributor: Patrick Nickleson (Edited by), Chris Stover (Edited by), João Pedro Cachopo (Edited by)

Pages: 416

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