The Religious Film

Christianity and the Hagiopic
Lush, vaguely liturgical music floods the theater. A sonorous offscreen male voice slowly articulates the words, "And it was written." or "In the year. " On the screen, clouds mysteriously separate, and a semi-transparent figure appears in the sky. This is the religious film.

“Grace has theorized the religious film as elegantly as she has written it history. And what a history! From early, simple stories to Mel Gibson’s grily Passion of the Crist.”
KRIN GABBARD, AUTHOR OF PSYCHIATRY AND THE CINEMA

Lush, vaguely liturgical music floods the theater. A sonorous offscreen male voice slowly articulates the words, “And it was written.” or “In the year.”. On the screen, clouds mysteriously separate and a semi-transparent figure appears in the sky – this is the religious film.

Conventional films about religious heroes are instantly recognizable, and average film-goers can easily identify the most common sounds and images and, more significantly, the values that most traditional films of this kind uphold: unquestioning faith, chastity, virtuous suffering, and the superiority of one religion over all others.

Focusing on movies about Christianity, The Religious Film is a welcome introduction to this complex and iconic genre of film. Pamela Grace provides historical, cultural and critical background for religious films from the silent era through today, and explores the genre in its many guisesc – as spectacle, as musical, and as controversy. From The Gospel According to Matthew to Jesus Christ Superstar, from The Passion of Joan of Arc to The Last Temptation of Christ and Jesus of Montreal, The Religious Film captures the glory, gore, and centrality of this important genre.

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