The Edinburgh Companion to the Bible and the Arts

Examines the changing relationship between the Bible and the arts, showing how the arts portray biblical stories in various ways and through various media, and how ‘the’ Bible is actually multiple entities: fiercely contested translations in many languages. Generously illustrated with examples including painting, architecture and stained glass.
An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. The specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic.

Contributor: Stephen Prickett (Edited by)

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