Watch Me Jumpstart

Strutting and Stumbling Through Animation

Watch Me Jumpstart is a love letter and a jab to the ribs—part memoir, part field guide—from the Artistic Director who spent three decades peering behind the curtain of the Ottawa International Animation Festival.

Watch Me Jumpstart is a love letter and a jab to the ribs—part memoir, part field guide—from the Artistic Director who spent three decades peering behind the curtain of the Ottawa International Animation Festival. Chris Robinson has watched the medium mutate from spliced film cans and ¾‑inch tapes to links and torrents of digital files; from a handful of global showcases to a crowded calendar of festivals; and from outsider, DIY voices to an industry that can smooth every rough edge—and sometimes sand away the soul.

With his trademark dry bite and disarming honesty, Robinson traces the collisions that shaped his life in animation: the punky spirit that got him hired, the near‑disasters that almost sank him, the programmes that soared, and the friendships forged at 2 a.m. over cheap wine and weirder shorts. He doesn’t romanticize the past or panic about the future; he simply records what it feels like to stand at the crossroads—again and again—while the art form reinvents itself and argues for the stubborn, personal, beautifully impractical films that keep the medium alive.

Watch Me Jumpstart is for animators and students, for programmers and critics, and for anyone who ever fell for a film that didn’t care about permission. It’s a backstage pass to the decisions, arguments, and small miracles that turn thousands of submissions into a festival—and a reminder that animation isn’t a genre or a market segment. It’s a messy, human conversation that never stops moving, even when the projector jams.

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