Loathsome Jews and Engulfing Women

Metaphors of Projection in the Works of Wyndham Lewis, Charles Williams, and Graham Greene
Andrea Freud Loewenstein examines the persistent anti-semitic tendencies in modernist British intellectual culture. Pursuing her subject with literary, historical and psychological analyses, she argues that this anti-semitism must be understood in terms of its metaphorical link with mysogyny.

"A remarkable study, one that I recommend to any reader fascinated by the shaping of culture and the power of the psyche." - The Forward
How typical of his generation was T.S. Eliot when he complained that Hitler made an intelligent anti-semitism impossible for a generation? In her new book, Loathsome Jews and Engulfing Women, novelist and critic, Andrea Freud Loewenstein examines the persistent anti-semitic tendencies in modernist, British intellectual culture. Pursuing her subject with literary, historical, and psychological analyses, Loewenstein argues that this anti-semitism must be understood in terms of its metaphorical link with misogyny.
Situated in the context of the history of Jews in Britain, Loathsome Jews and Engulfing Women begins by questioning the widespread belief that the British government was a friend to the Jews in the 30s and 40s. Loewenstein shows that, as evident in the hypocrisy of many British governmental policies prior to and during WWII, Britain actively collaborated in the Jews' destruction. Against the backdrop of this tragic complicity in the Holocaust, Loewenstein evaluates Jewish stereotypes in the works of three representative twentieth-century British thinkers and writers. Her analysis provides a revealing critique of British modernism.
In a larger sense, Loathsome Jews and Engulfing Womenexplores the riddle of prejudice. Loewenstein argues that anti-semitism is nurtured in an environment populated by other hatreds --misogyny, homophobia, and racism. To explain the interaction of these prejudices, she develops an investigative model grounded in object relations theory and informed by the works of such theoretically diverse authors as Virginia Woolf, Kate Millett, and Alice Miller. Loewenstein lucidly argues within an autobiographical framework, insisting on the need for critics to . look within ourselves for 'that terrible other' rather than to complacently assume that we ourselves exist outside the ideology of power.
This well-written and readable book will be of interest to many people, ranging students of British history to psychoanalysts, from historians of Jewish culture to anyone interested in feminist and literary theory.

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