Engaging Film

Geographies of Mobility and Identity
Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space.
Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. From popular movies such as 'Pulp Fiction,' 'Bulworth,' 'Terminator 2,' and 'The Crying Game' to home movies and avant-garde films, the analyses and teaching methods in this collection will engage students and researchers in film and media studies, cultural geography, social theory, and cultural studies.

Contributor: Tim Cresswell (Edited by), Deborah Dixon (Edited by), Paul Beard (Contributions by), Ann Brigham (Contributions by), David B. Clarke (Contributions by), Mike Crang (Contributions by), Chris Curtis (Contributions by), Carl T. Dahlman (Contributions by), Marcus A. Doel (Contributions by), Naomi Dunn (Contributions by), John R. Gold (Contributions by), Robert Kendall (Contributions by), Scott Kirsch (Contributions by), Sallie A. Marston (Contributions by), Wolfgang Natter (Contributions by), Heather Norris Nicholson (Contributions by), Paul Robbins (Contributions by), Christiane Schönfeld (Contributions by), Laurel Smith (Contributions by), Chad Staddon (Contributions by), Ulf Strohmayer (Contributions by), Phil Taylor (Contributions by), Steve Vreithoff (Contributions by), Dick Winchell (Contributions by), Leo Zonn (Contributions by)

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