Shakespeare, Theory and Performance

This collection of essays applies the abstract theory of contemporary Shakespearean criticism to the practicalities of performance, bringing together key names from both realms and a wide range of sources. It is aimed at teachers and students of theatre studies and Renaissance studies.

Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.

Contributor: James C. Bulman (Edited by)

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