Pieces de Clavecin, Premier Livre, 1759

Claude-Bnigne Balbastre enjoyed a very distinguished reputation as aharpsichordist, fortepianist, and organist in 18th-century France. Balbastre sPices de Clavecin from 1759 are influenced on the one hand by his royal andaristocratic patrons, and on the other by his contacts among the bourgeoisie,finding a stylistic balance between the two social classes. All the movementsare character pieces dedicated either to members of the nobility, or to artistsor other highly-placed individuals from the Parisian upper middle classes.The elevated style of French noblesse and grandeur are mirrored in theopening numbers.

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