Star Trek: Motion Picture Trilogy

Features three films from the Star Trek series; Star Trek II: The Wrath of Khan; Star Trek III: The Search for Spock; and Star Trek IV: The Voyage Home.

Star Trek II: The Wrath of Khan
Director Nicholas Meyer's concept for Star Trek II: The Wrath of Khan was to make it "Captain Horatio Hornblower in space". Equipped with a budget a fraction the size of that accorded the first movie, and bolstered by James Horner's swashbuckling score, Meyer accordingly delivered the most exciting of all the Trek big-screen outings, referencing both CS Forester's Hornblower and classic submarine dramas, as well as adding some literary flourishes and ground-breaking CGI work for good measure (the Genesis device sequence is a computer-animation landmark).

Resurrected from the "Space Seed" episode of the TV series, Ricardo Montalban's Khan is the hammiest, most passionately alive Trek villain, infused with Captain Ahab's self-destructive single-mindedness and quoting Moby Dick and Shakespeare in his furious pursuit of Kirk. Given permission to be melodramatic, William Shatner has never been stronger, or made Kirk seem more vulnerable. And even after seeing all the later movies, no self-respecting Trekker can sit through Spock's ultimate illogical sacrifice with a dry eye.--Mark Walker

Star Trek III: The Search for Spock
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Khan and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. --Paul Tonks

Star Trek IV: The Voyage Home
The most popular film in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon

Actors: William Shatner, Leonard Nimoy

Duration: 323 minutes

Number of Discs: 3

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