PRODUCT DESCRIPTION
In his third feature, director Noah Baumbach scores a triumph with an autobiographical coming-of-age story about a teenager whose writer-parents are divorcing. The father (Jeff Daniels) and mother (Laura Linney) duke it out in half-civilized, half-savage fashion, while their two sons adapt in different ways, shifting allegiances between parents. The film is squirmy-funny and nakedly honest about the rationalizations and compensatory snobbisms of artistic failure as well as the conflicted desires of adolescents for sex and status. In detailing bohemian-bourgeois life in brownstone Brooklyn, Baumbach is spot on. Everyone proceeds from good intentions and acts rather badly, in spite or because of their manifest intelligence. Fulfilling the best traditions of the American independent film, this quirky, wisely written feature explores the gulf between sexes, generations, art and commerce, Brooklyn and Manhattan.

AMAZON REVIEW


The Squid and the Whale follows the divorce of Joan (Laura Linney, You Can Count on Me) and Bernard Berkman (Jeff Daniels, The Purple Rose of Cairo) as it wreaks havoc on the emotional lives of their two sons, Walt (Jesse Eisenberg, Roger Dodger) and Frank (Owen Kline, The Anniversary Party). Though there's no plot in the usual sense, the movie progresses with growing emotional force from the separation into the bitter fighting between Joan and Bernard and the hapless, floundering behaviour of Walt and Frank, who act out through plagiarism, sexual acts and drinking.

Some viewers may find the ending too diffuse; others will appreciate that writer/director Noah Baumbach (Mr. Jealousy) doesn't wrap up the messiness of life in a false cinematic package. Either way, viewers will appreciate how the specificity of the personalities makes The Squid and the Whale so compelling, as Baumbach has drawn the characters with such detail, both engaging and off-putting, that they leap off the screen. Naturally, he's greatly helped by the cast: Linney, Eisenberg, Kline and especially Daniels bite into these often unsympathetic portraits and give fearlessly honest performances, interlocked in both painful and funny ways--rarely have family dynamics been captured so vividly. If there was an ensemble Oscar, this cast would deserve it. --Bret Fetzer