Korneel Bernolet: EnSuite

The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions. A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between. Korneel Bernolet here presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form. He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.

1: I. Adagio
2: II. Allegro
3: III. Andante
4: IV. Vivace
5: I. Allegro - Allegro
6: II. Adagio
7: III. Allegro Assai
8: I. Allegretto Assai Moderato
9: II. Largo, Sempre Piano
10: III. Presto
11: I. Tendrement. Affettuoso
12: II. Vivement. Allegro Assai
13: III. Menuet
14: La Victoire. Vivement
15: La De Villeroy. Hardiment
16: La Félix. Noblement
17: La De Vatre. Hardiment

Composer: Carl Philipp Emanuel Bach, Francesco Geminiani, Georg Benda, Joseph-Hector Fiocco, Jacques Duphly

Number of Discs: 1

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