Joseph Suder: Dona Nobis Pacem/Symphonische Musik II

EDITORIAL REVIEWS
Joseph Suder´s great festival mass complements the series of great sacred works from Bach to Bruckner in which tonal expressive means exhibit what are in polyphonic and in part homophonic traits. Suder´s work offers, in keeping with his stylistic will, a synthesis of strict contrapuntal thought with what would have to be termed a Romantic tone coloration, a combination of clear construction with eminent expressive power in the form of an intelligible musical language. Joseph Suder (1892 – 1980), active in Munich from 1911 on, did not bequeath a very extensive symphonic oeuvre to posterity. He composed his first major work of this type, the Chamber Symphony in A major, in 1925, and it was this work that brougth him his first international successes. In it he also formulated an important as well as interesting principle of design that would play a decisive role in almost all his later major works: the synthesis.

1: Kyrie
2: Gloria
3: Credo
4: Sanctus
5: Benedictus
6: VI. Agnus Dei - Dona Nobis Pacem
7: I. Moderato - Allegro Molto
8: II. Adagio
9: III. Finale. Allegro

Composer: Joseph Suder

Conductor: Werner Andreas Albert, Olaf Koch

Number of Discs: 1

Orchestra: Thüringen Philharmonie Suhl, Bayerisches Landesjugendorchester

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