EDITORIAL REVIEWS
A ''pop genius'' (L.A. Weekly) whose resume includes work with members of the Beach Boys, The Standells, The Negro Problem, Cockeyed Ghost and 2013 Grammy winner Alan Boyd, Adam Marsland returns after a 3 1/2 year hiatus with a one-man band album that unabashedly celebrates the joys of 1970s power pop and soul music - brimming with 12-string guitars, lush orchestration, sunny harmonies, and soulful lead vocals.an imaginative combination of the Beach Boys' harmony, Big Star's melodic pathos, and the eclectic blue-eyed soul of Hall & Oates and Todd Rundgren. After a long period producing and backing other artists, Marsland will now be bringing the happy-sad melodic sounds of The Owl And The Full Moon to the masses on a three-month world tour of the U.S., Europe and Canada throughout the summer.

REVIEW
Like Brian Wilson, Adam Marsland creates some of the finest pop out of the most fragile and insecure of moments. --All Music Guide

What wins me over is the songwriting - by turns caustic, desperate, and funny - paired with sunny melodies and loud guitars. --Andy Whitman, Paste