Puccini: Madama Butterfly

PRODUCT DESCRIPTION
'Madama Butterfly' was attacked by the critics after its premiere, and was immediately withdrawn from performance by Puccini. Three months later it reappeared in a much revised form and has since become one of the world's favourite operas. This version, from the Arena di Verona, is headed by an international cast, including Raina Kabaivanska.

AMAZON REVIEW
This traditional production of Puccini's enduringly popular opera Madama Butterfly should give much pleasure. It was recorded at the open-air theatre in Verona in 1983 with the local orchestra and chorus under the aptly named Maurizio Arena. The video direction is by an expert in the field, Brian Large, who brings home all the intimate moments of Puccini's drama from an open set that ascends and sprawls across rows of seating. His camera draws the viewer into scenes that the audience cannot witness at their distance--most movingly when Sharpless, the American consul in Nagasaki, gives up his attempt to read Pinkerton's letter to Butterfly saying he has no intention of seeing her again (set to that magical melody which will recur as the humming chorus).

It's of little matter that there are no operatic stars in the cast for this ensemble consists of experienced singers who fill the night air with lungs to match Puccini's heaviest demands. The audience, many of them evidently on holiday, greet the show-stopping moments with waves of applause. Their enthusiasm may drown a few bars of orchestral continuity but the orchestra itself is always at the service of the singers on a soundtrack that captures the atmosphere of an open-air performance with astonishing verisimilitude. Butterfly, sung by the statuesque Raina Kabaivanska, may not see Cio-Cio San (to give "butterfly" her real name) 16 years again and some of her arm movements are overdone but her big number "Un bel di" and its reprise when she's holding her child by Pinkerton are touchingly conveyed. Neither does she overplay the final scene where she prepares to follow her father's example using the Mikado's dagger to commit suicide--a moment that sends a shiver down the spine in its economy. Nazzareno Antinori as her Pinkerton, with his matinée idol looks and resonant voice, complements her well; their singing of Puccini's spacious love duet at the close of Act One goes down a treat with the crowd. --Adrian Edwards

Actors: Raina Kabaivanska, Nazzareno Antinori, Eleonora Jankovic, Lorenzo Saccomani, Chorus & Orchestra of the Arena Verona

Audio Languages: Italian

Duration: 144 minutes

Number of Discs: 1

Subtitle Languages: English

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