Bach-centricity: Concertos, Trios & Sonatas: Arranged for Two Harpsichords

The value of such arrangements is that they allow a wider perception into a composer’s compositional processes, and which have the potential for presenting new insights and different characteristics to particular pieces of music, which might not be evident in the originals. Hence these arrangements extend a practice that was normal in the early eighteenth century, and in this recording they are played on instruments with which Bach would have been entirely familiar. What revelations they reveal! David Ponsford

1: Concerto in C Major After Prince Johann Ernst, BWV595
2: I. Allegro
3: II. Grave
4: III. Presto
5: Trio in D Minor, BWV583
6: I. Adagio
7: II. Allegro
8: III. Andante
9: IV. Allegro
10: I. Adagio
11: II. Allegro
12: I. Allegro
13: II. Grave
14: III. Allegro
15: I. Allegro
16: II. Adagio Ma Non Tanto
17: III. Allegro
18: Aria, BWV587
19: I. Allegro - Grave - Fuge
20: II. Largo E Spiccato
21: III. Allegro

Composer: Johann Friedrich Fasch, Johann Ernst Von Sachsen-Weimar, Johann Sebastian Bach, Antonio Vivaldi, François Couperin

Number of Discs: 1

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