Blues, Reds & Other Songs for Madonna

In his new composition Robin Verheyen takes colors from Jean Fouquet's 'Madonna' and assigns them to his tenor and soprano, the three musicians of the Goeyvaerts String Trio and the 88 keys of Marc Copland's piano.

The masterpiece 'Madonna' in the Royal Museum of Fine Arts Antwerp dates to around 1452 and is the right half of a diptych. The other piece, in Berlin, depicts the client of this work of art and his patron saint. Together, they form the so-called Melun diptych. In Antwerp you can see a 'Maria Lactans': the intimate theme of a mother breastfeeding her child. Because the subject was always updated to the fashion, taste or insights of the time, it continues to give new meaning.

In 'Blues, Reds and Other Songs', Robin Verheyen draws inspiration from the characteristic harmony of the budding renaissance with quotes (such as the hymn Ave Maris Stella), canon techniques and faux-bourdon. Could the musical ornaments and fugal imitations of that period already have predicted the uniqueness of jazz?

1: Seraphim Et Cherubim
2: Angelus
3: La Maitresse
4: Tryptich Part 1
5: Tryptich Part 2
6: Tryptich Part 3
7: Ave Maris Stella
8: Portrait En Blue Et Rouge
9: C'est Paradis En Mon Coeur
10: Ubere De Caelo Pleno

Number of Discs: 1

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