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INTERNATIONAL DELIVERY: Please note, the Christmas deadline has now passed and we can no longer guarantee delivery before 25th December 2025.
INTERNATIONAL DELIVERY: Please note, the Christmas deadline has now passed and we can no longer guarantee delivery before 25th December 2025.

Pills 'N' Thrills And Bellyaches

Happy Mondays
Barcode 0042282822321
CD

Original price £4.62 - Original price £4.62
Original price
£4.62
£4.62 - £4.62
Current price £4.62

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Availability:
Low Stock
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Release Date: 01/01/1999

Genre: Rock
Label: London Records
Number of Discs: 1

PRODUCT DESCRIPTION
About this ItemThe item format is a CDThe Artist Name is Happy MondaysThe Title is Pills N Thrills And BellyachesCondition NewOther CommentsNew Store StockThe Media Condition is NewThis is new and unplayed The Sleeve Condition is NewNew unplayed We Use Stock ImagesBecause we have over 2 million items for sale we have to use stock images, this listing does not include the actual image of the item for sale. The purchase of this specific item is made with the understanding that the image shown in this listing is a stock image and not the actual item for sale. For example: some of our stock images include stickers, labels, price tags, hyper stickers, obi's, promotional messages, signatures and or writing which may not be available in the actual item. The Sleeve When we describe the sleeve we are describing the printed paper cover or booklet that is included inside the case. The case is not part of the sleeve. CD Version CD's are released in many editions and variations, such as standard edition, re-issue, demonstration (demo), not for sale, promotional (promo), special edition, limited edition, and many other editions and versions. The CD you receive could be any of these editions or variations. If you are looking for a specific edition or version please contact us to verify what we are selling before you buy it. This CD Inner and Outer Sleeve For this specific sale the CDs sleeve condition refers only to the inner paper insert sleeve, and does not refer to the outer digipak, jewel case or cardboard outer casing. While we ship all items with some outer casing, such as a digipak, jewel case, cardboard casing, or plastic sleeve, for this specific sale we are selling only the inner paper sleeve and CD only, as specifically outlined in the description of this listing. (we make this disclaimer as some collectors are looking for a specific outer case type). The outer casing is re

REVIEW
In the two years since Bummed, the Happy Mondays had embraced dance culture. Every movement needs its high-water mark, and their third album, Pills'n'Thrills And Bellyaches was Madchester's Tewkesbury. Although The Stone Roses debut is more retrospectively adored (astonishing as it still sounds like an album of Freddie and the Dreamers' B-sides), Pills'n'Thrills And Bellyaches at the time felt like nothing you'd ever heard before; except it was absolutely everything you'd heard before; exceptionally undemanding chord structures; grinding beats; shambolic monotony – but the dance nuances of producers Paul Oakenfold and Steve Osborne and the influence of E as well as Shaun Ryder’s witty dystopian lyrics made the album a very serious work indeed.

Pills'n'Thrills And Bellyaches was trailed by two singles, the student disco favourite "Step On" (a cover of the 1972 hit by John Kongos) and "Kinky Afro" - probably their greatest moment – a sort of Sly and the Family Skunk. But these are not the only pleasures: "God's Cop", opens with chaotic, out of tune slide guitar and develops into a rambunctious lyrical attack on the then-Manchester Police Chief James Anderton, over a loping drum loop from "Shack Up" by Banbarra, complete with Paul Davis' synth stabs and full on vocals from Rowetta; "Donovan," Ryder's lyrical appropriation of his future father-in-law's "Sunshine Superman." Again, Oakenfold and Osborne's deftness of touch is highlighted; it is a languid, accordion-driven groove suddenly undermined by the trademark Mondays hobnails two minutes in.

Pills'n'Thrills and Bellyaches all gets a bit much toward the end, but no matter, what a hoot it is on the way there. It was obvious that this simply couldn't be sustained; one album later the group had acrimoniously imploded in a cloud of class As, Factory collapsing and their own extreme "Lazyitis." --Daryl Easlea

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