Born Under a Bad Sign

Any list of seminal 1960s electric blues albums is incomplete without Albert King’s Born Under a Bad Sign positioned near the top. The Indianola, Mississippi-born “King of the Blues Guitar,” who cut his professional teeth as a resident of the St. Louis suburb of Lovejoy, Ill., cemented his legacy with his Stax Records debut album. King was influenced by pre-World War II bluesmen Lonnie Johnson and Blind Lemon Jefferson, and post-war artists T-Bone Walker and Howlin’ Wolf. He came to Stax by way of Al Bell, a Little Rock native who’d met King when he played shows in the area. King’s first Stax recording was “Laundromat Blues,” included on this album, backed by Booker T. Jones on piano; Duck Dunn, bass; and Al Jackson, Jr., drums; plus the Memphis Horns (Wayne Jackson and Andrew Love) and Raymond Hill (sax player on Jackie Brenston’s “Rocket 88”). The song had come by way of an unsolicited songwriting demo that Stax co-founder Estelle Axton correctly believed could be a hit for King.“Crosscut Saw” is one of King’s best-known recordings as yet dated back to 1941 when Delta bluesman Tommy McClennan recorded it for Bluebird, and Willie Sanders & the Binghamton Boys cut it in ’63. A.C. “Moohah” Williams, a veteran DJ at Memphis R&B station WDIA-AM, brought it to King’s attention. For this special reissue Stax Records has reached into its vaults to provide previously unissued bonus tracks in the form of alternate takes of “Born Under a Bad Sign,” “Crosscut Saw,” “The Hunter,” “Personal Manager” and an untitled, never-before-released instrumental.

1: Born Under a Bad Sign
2: Crosscut Saw
3: Kansas City
4: Oh Pretty Woman
5: Down Don't Bother Me
6: The Hunter
7: I Almost Lost My Mind
8: Personal Manager
9: Laundromat Blues
10: As the Years Go Passing By
11: The Very Thought of You
12: Born Under a Bad Sign (Take 1)
13: Crosscut Saw (Take 1)
14: The Hunter (Take 1)
15: Personal Manager (Take 15)
16: Untitled Instrumental

Number of Discs: 1

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