Skip to content

The Collaborators

Ian Buruma

Deception and Survival in World War II

Barcode 9781838957674
Paperback

Original price £8.41 - Original price £8.41
Original price
£8.41
£8.41 - £8.41
Current price £8.41

Click here to join our rewards scheme and earn points on this purchase!

Availability:
in stock
FREE shipping

Release Date: 01/02/2024

Edition: Main
Genre: Non-Fiction
Sub-Genre: Biography
Label: Atlantic Books
Language: English
Publisher: Atlantic Books

Deception and Survival in World War II
In this spellbinding account of three World War Two collaborators, prize-winning historian Ian Buruma examines questions of truth as he investigates their complex and tangled lives.

'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The Times

On the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point.

Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'.

All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.