Innovation in the Italian Counter-Reformation

Presents a reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume's contributors weave literary analysis together with religion, theatre, art, music, science, and gender to demonstrate that the literature of this period is positively innovative.
The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amedeo Quondam, two of the leading scholars on the Italian Counter-Reformation.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Contributor: Shannon McHugh (Edited by), Anna Wainwright (Edited by), Armando Maggi (Contributions by), Shannon McHugh (Contributions by), Sarah Gwyneth Ross (Contributions by), Gerry Milligan (Contributions by), Eugenio Refini (Contributions by), Amedeo Quondam (Contributions by), Lisa Sampson (Contributions by), Monica Calabritto (Contributions by), Lynn Lara Westwater (Contributions by), Lisa Bourla (Contributions by), Virginia Cox (Contributions by), Gabriella Zarri (Contributions by), Anna Wainwright (Contributions by), Joseph Perna (Contributions by)

Pages: 392

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