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Bleak Moments

Barcode 5035673014332
Blu-ray

Original price £14.99 - Original price £14.99
Original price £14.99
£15.49
£15.49 - £15.49
Current price £15.49

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Availability:
in stock

Release Date: 29/11/2021

Region Code: Blu-ray B
Certificate: BBFC PG
Label: Bfi
Actors: Joolia Cappleman, Anne Raitt, Donald Sumpter, Liz Smith
Director: Mike Leigh
Number of Discs: 1
Audio Languages: English

PRODUCT DESCRIPTION


Bleak Moments (Blu-ray)
Directed by Mike Leigh

Sylvia (Anne Raitt) leads a quiet life caring for her sister Hilda (Sarah Stephenson) who has complex care needs. Their lonely suburban existence is accentuated by a social awkwardness that detaches them from the community and fuels a life of seclusion and despair.
Released in 1971 to critical acclaim, Mike Leigh’s debut feature film is a haunting study of social isolation. Uncompromising and deeply affecting, the film introduced Leigh’s unique and highly influential natural style that he has continued to develop over a 50 year career.
A true landmark in the history of British film Bleak Moments has been newly remastered by the BFI and is presented on Blu-ray for the very first time.

Extras


* Newly remastered by the BFI, overseen by Dick Pope and approved by Mike Leigh
* Audio commentary by writer and director Mike Leigh (2015)
* Bleak Moments: 50 Years On (2021, 9 mins): a short interview with Mike Leigh as he looks back on his debut feature
* In Conversation: Mike Leigh and Leslie Blair (1972, 28 mins): in this rare archive interview director Mike Leigh and producer and editor Leslie Blair discuss Bleak Moments
* Interview with Mike Leigh (2019, 36 mins): filmed after a screening of his 1976 film Nuts in May, Mike Leigh discusses his early career and his approach to filmmaking with film programmer Neil McGlone
* Image Gallery
* **FIRST PRESSING ONLY** illustrated booklet with a new essay on the film by Ellen Cheshire, original Sight and Sound review and full film credits





REVIEW
'The most remarkable debut by a British director that I have ever seen' --New Statesman

'Striking and entirely original' --The Guardian