{"product_id":"9789042935297-context-and-meaning-proceedings-of-the-twelfth-international-conference-of-the-association-internationale-pour-la-peint","title":"Context and Meaning","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003eProceedings of the Twelfth International Conference of the Association Internationale pour la peinture Murale Antique, Athens, September 16-20, 2013\u003cbr\u003e\u003cp\u003e      This volumes contains 81 contributions on ancient wall painting       presented in the form of papers and posters during the twelfth triennial       meeting of the \u003ci\u003eAssociation Internationale pour la Peinture Murale       Antique\u003c\/i\u003e (AIPMA) held at Athens from September 16 through September       20, 2013. 120 participants were guests of Radboud University Nijmegen       and the École Française d’Athènes, in collaboration with the Netherlands       Institute at Athens, and the National Hellenic Research Foundation.       \u003cbr\u003e\u003cbr\u003e    \u003c\/p\u003e    \u003cp\u003e          \u003c\/p\u003e    \u003cp\u003e      In recent decades there has been a growing interest among researchers in       the analysis of paintings in terms of their context rather than as       expressions of art in and for itself. Therefore the conference focused       on figural themes, and to the iconographical and iconological problems       of paintings considered in relation to their specific contexts. Which       messages images in wall painting, from the archaic to the late-antique       period (ca 700 BC-AD 500) conveyed to contemporary viewers in specific       contexts and how were they received? \u003cbr\u003e\u003cbr\u003e    \u003c\/p\u003e    \u003cp\u003e          \u003c\/p\u003e    \u003cp\u003e      Many contributions in this volume zoom in on the rationale behind the       use of specific motifs in wall paintings, the syntax of decorative       systems in particular contexts, as well as specific fashions in the use       of figural themes in determined areas or sites in the ancient world.       Within the series of BABESCH supplements, this book is a sequel to the       third one of 1993 which contains the proceedings of the fifth AIPMA       conference in Amsterdam. \u003cbr\u003e\u003cbr\u003e      \u003c\/p\u003e    \u003cp\u003e          \u003c\/p\u003e    \u003cp\u003e      The two editors have carried out extensive research in the field of       ancient mural decorations, especially in the context of Roman houses,       villas, and temples, and were members of subsequent AIPMA boards. While       Eric Moormann was responsible for the organisation of the Amsterdam       colloquium in 1992, Stephan Mols organised the Athens conference in       2013, the proceedings of which are presented in this BABESCH supplement.       Both Mols and Moormann are members of the Institute for Historical,       Literary and Cultural Studies of the Faculty of Arts of Radboud       University at Nijmegen, The Netherlands.    \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":55171219456374,"sku":"9789042935297","price":163.69,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/orig_31842857.jpg?v=1737420224","url":"https:\/\/www.rarewaves.com\/products\/9789042935297-context-and-meaning-proceedings-of-the-twelfth-international-conference-of-the-association-internationale-pour-la-peint","provider":"Rarewaves.com","version":"1.0","type":"link"}