{"product_id":"9783837652949-taking-stakes-in-the-unknown","title":"Taking Stakes in the Unknown – Tracing Post–Black Art","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003e\u003cp\u003eWhat does it mean to be Black in the early 21\u003csup\u003est\u003c\/sup\u003e Century? This question guided an art exhibition that deeply shaped our perspective on Black art and artists today.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eIn 2001, \u003ci\u003eFreestyle\u003c\/i\u003e, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term \u003ci\u003epost-black \u003c\/i\u003eto a pre 9-11 and pre-Obama world. In \u003ci\u003eTaking Stakes in the Unknown\u003c\/i\u003e, Nana Adusei-Poku contextualizes the term\u003ci\u003e post-black \u003c\/i\u003ein its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the \u003ci\u003epost-black\u003c\/i\u003e generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas – and, by expanding the scope of the definition, the Black German artist Philip Metz.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":55607834149238,"sku":"9783837652949","price":31.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/orig_36045049_84f2c96f-3b4e-453c-8e48-17f4527d5c9c.jpg?v=1757580377","url":"https:\/\/www.rarewaves.com\/products\/9783837652949-taking-stakes-in-the-unknown","provider":"Rarewaves.com","version":"1.0","type":"link"}