{"product_id":"9781501776274-singing-by-herself","title":"Singing by Herself","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003eLonely Poets in the Long Eighteenth Century\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eSinging by Herself\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude.\u003c\/b\u003e Many of the earliest records of the terms \"lonely\" and \"loneliness\" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. \u003c\/p\u003e \u003cp\u003eAmelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclosure, this study of eighteenth-century poetry disrupts the presumed association between isolation, singular speech, and bounded models of poetic subjectivity. \u003c\/p\u003e \u003cp\u003eIn five chapters focused on lonely poet figures in the works of John Milton, Anne Finch, Alexander Pope, Thomas Gray, and Charlotte Smith—which also take account of the wider eighteenth-century fascination with literary loneliness—\u003ci\u003eSinging by Herself\u003c\/i\u003e shows how poets increasingly associated the new literary mode of being alone with states of disembodiment, dispersal, and echoic self-doubling. Seemingly solitary lonely voices often dissolve into polyvocal, allusive community, Worsley argues, when in dialogue with each other and also with classical figures of feminized lament such as Sappho, Echo, and Philomela.\u003c\/p\u003e \u003cp\u003eThe book's provocative reflections on lyric mean that it will have a broad appeal to scholars interested in the history of poetry and poetics, as well as to those who study the literary history of gender, affect, and emotion.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":41787531329633,"sku":"9781501776274","price":42.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/stand_37503540_24bf679f-c11f-4259-bc5f-67708753f808.jpg?v=1762101606","url":"https:\/\/www.rarewaves.com\/products\/9781501776274-singing-by-herself","provider":"Rarewaves.com","version":"1.0","type":"link"}