{"product_id":"9780857304704-andrei-tarkovsky","title":"Andrei Tarkovsky","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003eAndrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s. Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic \u003cem\u003eAndrei Rublev\u003c\/em\u003e - widely regarded as one.\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eAndrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAlthough he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic \u003cem\u003eAndrei Rublev\u003c\/em\u003e - widely regarded as one of the greatest films of all time - and the autobiographical \u003cem\u003eMirror\u003c\/em\u003e, set during the Russia of Stalin's purges in the 1930s and the years of stagnation under Brezhnev. Both films landed Tarkovsky in considerable trouble with the authorities, and he gained a reputation for being a tortured - and ultimately martyred - filmmaker. Despite the harshness of the conditions under which he worked, Tarkovsky built up a remarkable body of work.\u003c\/p\u003e \u003cp\u003eHe burst upon the international scene in 1962 with his debut feature \u003cem\u003eIvan's Childhood\u003c\/em\u003e, which won the Golden Lion at Venice and immediately established him as a major filmmaker. During the 1970s, he made two classic ventures into science-fiction, \u003cem\u003eSolaris\u003c\/em\u003e, regarded at the time as being the Soviet reply to Kubrick's \u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e and later remade by Steven Soderbergh, and \u003cem\u003eStalker\u003c\/em\u003e, which was thought to have predicted the Chernobyl disaster. Harassed at home, Tarkovsky went into exile and made his last two films in the West, where he also published his classic work of film and artistic theory, \u003cem\u003eSculpting in Time\u003c\/em\u003e. Since his death in Paris in 1986, his reputation continued - and continues - to grow.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSean Martin considers the whole of Tarkovsky's oeuvre, from the classic student film \u003cem\u003eThe Steamroller and the Violin\u003c\/em\u003e, across the full-length films, to the later stage works and Tarkovsky's writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a 'difficult' director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub 'imprinted' or 'sculpted' time, and to make a case for Tarkovsky's position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":40943926214753,"sku":"9780857304704","price":15.82,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/orig_27645534.jpg?v=1721951286","url":"https:\/\/www.rarewaves.com\/products\/9780857304704-andrei-tarkovsky","provider":"Rarewaves.com","version":"1.0","type":"link"}