{"product_id":"5099951830700-last-night-french","title":"Last Night (French","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003eEDITORIAL REVIEWS \u003cbr\u003e  14x13x1cm. CD. \u003cbr\u003e\u003cbr\u003e AMAZON \u003cbr\u003e At the crossroads of retro, (where that which was old becomes new again,) there's Moby. Already known for the rave-ups and chill tracks found on records like Everything Is Wrong, he crossed over in a big way with 1999's Play and its inventive--or to some, 'gimmicky'--gospel-meets-techno sound. His success enabled him to spend the 2000s trying out new tactics. The pop\/instrumental approach of 2005's Hotel was indeed a far cry from '90s anthems like \"Next Is the E.\" With Last Night, Moby checks through all those phases, and then some. There are glow-stick wavers like \"Everyday It's 1989\" and Euro-tech trashiness like \"I'm In Love.\" There are also bits of hip-hop, break beats, blue-room tunes, and diva-disco numbers like \"Disco Lies.\" In the liner notes, Moby explains the scattered focus of the record, simply stating, \"a night out can ideally contain a multitude of experiences.\" A night out is one thing, but there's only so much you can stuff into 65 minutes. Still, it's an undeniable rush to hear Moby being Moby: cheerfully square, yet somehow cool, just like before. Matthew Cooke\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":58556966895990,"sku":"5099951830700","price":7.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/orig_1548625_833691_jpg.jpg?v=1787926211","url":"https:\/\/www.rarewaves.com\/products\/5099951830700-last-night-french","provider":"Rarewaves.com","version":"1.0","type":"link"}