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Strange accidents occur and gradually take on the character of a punishment ritual. Who is behind it all? \u003cbr\u003e\u003cbr\u003e AMAZON REVIEW \u003cbr\u003e Like an ice-cold shower, Michael Haneke's solemn and sobering films are more often good for the soul than a guaranteed pleasure. While not as confrontational as his previous film Funny Games, Haneke's The White Ribbon--an account of sinister events in a rural German village in 1913--offers no compromises to the audience, but creates an unsolvable, unsettling riddle meant as a remedy to the disposable violence of conventional cinema. The morality of the village is safeguarded by three powerful disciplinarians: a doctor, a pastor and a baron, each privately abusive in different ways. Their order is threatened by a series of local incidents ranging from apparent accidents to acts of callous sabotage and vicious cruelty. 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Jennifer Lawrence stars as 17-year-old Ree Dolly, who is forced to take care of her little brother and sister, as well as her catatonic mother, after she discovers that her father, who has been running a crystal meth laboratory, has been arrested and has put the family home up as collateral for bail. Now, if he fails to attend the court hearing, the family will lose its home. 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From one of, if not the greatest director working today MICHAEL HANEKE. Winner of the 2012 Palme d'Or at the Cannes Film Festival. \u003cbr\u003e\u003cbr\u003e AMAZON REVIEW \u003cbr\u003e An elegant elderly couple faces the ultimate challenge in Austrian auteur Michael Haneke's carefully controlled, emotionally devastating Amour. Retired music professors Anne (Emmanuelle Riva, Hiroshima Mon Amour) and Georges (Jean-Louis Trintignant, The Conformist) enjoy their last good day together when they attend the concert of a former student (pianist Alexandre Tharaud as himself). The next day, Anne freezes at the kitchen table for a few minutes, after which she goes on as if nothing happened. Georges encourages her to see a doctor, who recommends surgery, but the operation fails, and she suffers a second stroke that paralyses her right side. Georges copes the best he can with help from neighbours and home-care workers, but Anne rapidly loses the ability to function on her own, even to communicate, which upsets their daughter, Eva (Isabelle Huppert, Haneke's The Piano Teacher). Georges' stoic acceptance elicits praise from onlookers, but Haneke reveals the cracks in his façade: the nightmares, the paranoia (his encounters with a persistent pigeon), and a series of actions that blur the lines between madness and compassion; though there's no reason to suggest the two can't coexist. Riva and Trintignant, among the finest actors France has produced, couldn't be better, but this is a difficult film to enjoy in any conventional sense--the word appreciate might be more appropriate--since Anne's infirmity obscures the love that binds these people to each other and becomes a sort of invisible monster, making Amour one of the more chilling horror stories in recent memory. --Kathleen C. Fennessy\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rarewaves","offers":[{"title":"Default Title","offer_id":31644846981217,"sku":"5021866057408","price":11.26,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0092\/7504\/8033\/files\/orig_258849_1267314_jpg.jpg?v=1743002964"},{"product_id":"5021866087405-great-beauty","title":"The Great Beauty","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"Content-Type\"\u003e\u003cp\u003e\u003cspan\u003eJep Gambardella, a 65-year-old journalist and once promising novelist, spends his easy life among Rome's high society in a swirl of rooftop parties and late-night soirees. But when he learns of the death of his friend's wife a woman he loved as an 18-year-old his life is thrown into perspective and he begins to see the world through new eyes.\u003cbr\u003e\u003cbr\u003eA dazzling, dizzying, mesmerising and hypnotic cinematic tour-de-force that has drawn comparisons with Italian greats such as La Dolce Vita and La Notte.\u003cbr\u003e\u003cbr\u003eA triumphant return to form for world-renowned visionary director Paulo Sorrentino (Il Divo, This Must Be The Place).\u003cbr\u003e\u003cbr\u003eStarring the multi award-winning Toni Servillo (Il Divo, Gomorrah). 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